Hsiao-Hsien Hou's Films Cross-cultural Dissemination Of Cultural Self-consciousness Research

The status quo of Chinese film culture is anti recognition abroad as the subject of the hometown,the culture of self imposed exile,cultural loss and cultural self communication,value system of hollow,it is urgent to awaken the cultural consciousness of directors and the remolding of Chinese film culture atmosphere.In this paper,the specific analysis of Hsiao-Hsien Hou's representative works in the cultural consciousness of the embodiment,for the future development of China's film culture to provide reference.This thesis begins with the theoretical analysis of the relationship between cultural consciousness,film and intercultural communication,and the relationship between film and cultural consciousness.Mainly adopts the combination of theoretical research and case analysis methods,combined with Hou Hsiao Hsien film cross-cultural communication in the process of cultural consciousness of the performance,through detailed analysis of Hou Xiaoxian art,plays,film concept,put forward strategy of Chinese film cross-cultural dissemination to realize culture consciousness.The results and main points of this paper are embodied in the following aspects:1,China film cross cultural communication in the cultural consciousness of the necessity and urgency,holds many lessons for Chinese films in the international film exchange status of disadvantaged,often fall into "self Orientalism" and "the others" and dance.There is still a lack of corresponding cultural confidence and consciousness.External communication process could easily lead to distortion,the communication will cause the national audience in cultural values appear hollow situation,in view of the above two kinds of circumstances will the loss of culture.Therefore,to strengthen the consciousness of culture construction is indeed the trend of the times;2,Hsiao-Hsien Hou film cross cultural communication in the process of cultural consciousness of the specific characterization.From the artistic point of view,Hou Hsiao Hsien film footage follow traditional Chinese aesthetics on the blank of the composition of a picture,using the method of fragment structure,Qiyun clip method to construct the film of the combination of static and dynamic,combining poetic,sit on the sidelines of the third party perspective of film narrative style;from the content of his dramas concentrated in the discovery and the transformation of Chinese traditional culture resources,on traditional Chinese moral values advocated on;attaching importance to the team of the film from the cinema of ideas,adhere to the realistic writing method,film with Chinese characteristics and actively participate in the exchange of international awards;3,the Chinese movie needs to enhance the cultural awareness of cross cultural communication.Holds many lessons,Chinese film to seek greater development needs to strengthen exchanges with the international,into the trend of international market,make cross culture of the country to accept the Chinese culture,but in this respect,film of our country development is still insufficient,there cultural consciousness and missing.