The Diachronic Analysis Of Manchu Shamanism Dance

Shaman Dance is an important part of Shaman Dance Ceremony.As a kind of cultural phenomenon,Shaman Dance is the expression of the way of living of the northern nationalities,and it plays a positive role in promoting the survival and adaptation of the Northern Nationality to the nature and the transformation of nature.As a living fossil of Manchu dance,the study of this subject has an important role in promoting the study of dance culture and dance practice.In this paper,through the analysis of the historical context of the Manchu Shaman Dance,according to the historical documents and on-the-spot investigation,we explore the law of the development of Shaman culture from the perspective of history.This paper makes a summary and analysis of the three historical periods: the primitive form of Shamanism,the Qing Dynasty and the contemporary period.This thesis is composed of three parts: introduction,four chapters and conclusion.In the introduction part,we mainly introduce the purpose and significance of the topic,the research status at home and abroad,the research materials and methods,and the interpretation of the relevant concepts.The first chapter discusses the original form and the evolution of the Manchu Shamanism dance,we analyze the occurrence and the development of the Manchu Shaman Dance through the prehistoric archaeological Shaman relics and the history of the Manchu Shamanism dance ancestry.The second chapter discusses the Qing Dynasty Manchu Shaman Dance.It is composed of two parts: the palace Shamanism and the folk Shamanism.Through the summary of the morphological characteristics of the sacrificial dance of the palace Shaman and the difference between the Samskara and the wild Samskara,we explore the development law.The third chapter discusses the status quo of Manchu Shaman Dance.We investigated the shaman in Jiutai,Jilin and summarized the overview on its dance form.In addition,we processed an in-depth analysis of the history and the situation of Manchu Shamanism dance.The fourth chapter discusses the cultural heritage protection.It is composed of two parts: the establishment of Shaman museum and some thoughts on the protection of Shaman's intangible cultural heritage.We analyzed the difficulties and favorable conditions of Shamanism and gave some advices.The last part is the conclusion,which is the summary and generalization of some the issue.