The Study On Discourse Production And Culture Representation Of China Films During 2010-2016

As a kind of social practice,Film has a close interaction with the specific social culture formed in its relative times.The purpose of this thesis is to have a comprehensive analysis on discourse production and culture representation of China’s films during 2010-2016 from the perspective of film sociology under the social background of film industrialization.From the overall level of economy,economic development has contributed to industry prosperity and the scale expansion of China’s films.With the incentive of cross-border capital,funding and technology,the resources of film and television have been effectively integrated and modern film industry chain has been formed and optimized.Social differentiation has led to social stratification with more phenomena emerging,such as fans economy,films with scripted entertainment,the tendency of IP over-entertainment.However,the film makes efforts to adjust the contradictions with the market economy under the influence of the social dominant ideology.From the perspective of social structure,this thesis attempts to have an analysis on the connection between film and social,historical texts and have an explanation of contradiction existing in society by analyzing the film discourses.Meanwhile,this thesis focuses on the structure of film’s thought and and ideographic process of film texts,besides on social and cultural characteristics during the period of social transformation.