The Research On The Application Of National Culture In Chinese Contemporary Installation Art

The production of the device art,combined with the advantages of all kinds of art categories,has broadened the multidimensional space of artistic expression.However,the installation art from concept to art practice,especially in China’s development time is short,the tendency of many concepts,self oriented,in order to overcome the defects of the installation art expression of the "ivory tower" type,installation artist should be from the installation art rules in the eclectic basis.The ethnic elements into them,so that the installation art works out with the local geographical and cultural characteristics,but also has a prospective avant-garde innovative road.This is a national culture and the integration of its elements and devices.Based on the national elements of installation art using the title,were reflected in the contemporary installation art in the development,installation art and national ethnic elements will need to pay attention to the installation art elements into the problems about ethnic elements into installation art thinking.Device art into the traditional sculpture,digital video and other forms of artistic expression,is "Pan Sculpture" ".Device art has the characteristics of space,extension and interactivity,which extend people’s life experience.The last century in 60 s pioneered the development of installation art in foreign countries,was introduced in 80 s China,cultural elements Xu Bing,Cai Guoqiang and other artists use traditional Chinese to highlight its " Chinese discourse ",expresses the aesthetic power of traditional and contemporary spirit with modern ideas.Specifically,the national elements of installation art including Chinese traditional calligraphy and painting elements such as ink,calligraphy,inscriptions;Chinese art elements,such as paper cutting,clothing,ceramics,lanterns and other architectural elements;China classical gardens;China folk story elements,symbols and metaphors.It can be said that the integration of the national elements in the art of the device is not only to promote the national spirit,but also to show the artists of contemporary Chinese contemporary art of the era of thinking.However,ethnic elements used in the installation art works also need to pay attention to some problems: device art should be constructed on the basis of China for traditional culture,national culture elements fit with their own language;however,art is not only emphasize the device deliberately " cultural symbols ",should start from the history of Art and the connotation of these elements can truly reflect the characteristics of China".At the same time,should pay attention to the internationalization of installation art language,integration of the western modern installation art language and traditional culture of ethnic elements in "western" way.In addition,the device art should also spread the concept and emotion of contemporary life,pay attention to the performance of nature and ecology in the device art.Through the combination of the idea of sustainable development and the traditional national culture,we can make the history and the present,the past and the future,to promote the development of Chinese contemporary art.