Study On Buddha Dress Of Buddhist Temple Mural In Shanxi Area In Jin Dynasty

After Li Tang,Buddhism declined,to the Jin Dynasty period,the rulers of support for Buddhism flourish once.Shanxi region is now remains of the Buddhist murals is current in the northern area of our country only three Jin Dynasty temple murals and has a high historical value and cultural value.Many literatures and local chronicles have already proved that the Buddhism,since it was introduced to China in the India,Buddha clothing much change,gradually sinicized features.At the period of Jin Dynasty,ethnic and cultural integration of diverse factors,Buddhist dress style is changeable,fusion,one is enough take shoulders sagging type by the end of the Liao Dynasty began to be popular in the northern part of Shanxi,in the Jin Dynasty Murals continue to follow the late style of the Liao Dynasty,later merging "semi Phi" Buddhist dress style,and hook button,inherit the characteristic style of the Tang Dynasty,Liao period;the second is Baoyi Bodai garments Buddha wearing clothes in Shanxi area showing a characteristic is different from that in the south,the overall inherited characteristic style of Song Dynasty.This paper mainly to the image theory as the foundation,through analysis of typology for image of Buddha dress in the Buddhist temple murals of Jin Dynasty in Shanxi Province,and through comparison with Shanxi Kaihua temple murals in the Northern Song Dynasty Buddhist dress style,profound contrast analysis of the period of Jin Dynasty in Shanxi murals in Buddha clothes dressed in style of decoration,and subject to geographical,ethnic,cultural aspects of mutual collision,influence each other and better demonstration Jin murals of the era characteristics and the artistic value of the murals.