| Putting the literary works into cultural thought to study, allows us to more deeply understand the cultural connotation works implied. As a prolific, yet high-quality wide-ranging writer,YanGeling in the works both for writing a variety of themes, or a variety of characters shaped, but also on the margins of society or humanity mining, they are a reflection of her unique some cultural connotation as well as her social, political, human nature, history and future deep reflection. She absorb Western literature and culture and thought, but also in their own way to interpret China with these ideas. In the creative process, YanGeling obviously learned the essence of Taoism, such as harmony with nature, attention to human nature, spiritual freedom, killing with kindness, of charity and so on.At the same time abandoned Taoism pessimism and other negative thoughts.From the Taoist perspective of cultural influence and infiltration Treats, analyzes and presents inherent Treats novel Taoist culture, trying to more fully display the culture of their works in order to enrich Treats novel research. This paper discusses mainly through three chapters:The first chapter analyzes Treats novel shaping the image of women, such as the king of grapes, Tian Sophie, hibiscus, small fishing and other figures, all showing a "keep your soft female" qualities in their weak body dive hidden infinite vitality, and write one after another "weak wins strong" hymn. The second chapter Taoist "natural, free" aesthetic pursuit, analyzes Treats works of human existence the desire of mining on people’s natural desire certainly is advocating freedom of Taoism and the natural aesthetic pursuit of the real level of thinking, but also a reflection of her humanity and Its value orientation.The third chapter Taoism "rebirth shun death" the spirit of the pursuit of departure, revealing Treats for the survival of the situation described by the characters and Taoist View of Life and Thoughts fit. In her works, the value of individual life to be sure, with the love of the living body; the face of death, coolly detached, so calm. |