Study Of Chinese Ancient Illustration Art

Artwork after years of development and the precipitation, has been widely used in various fields, penetrating in our daily life. Along with economic globalization, the various countries' culture shock and collision has become the new main competition. Illustration style in the global market popularity side confirms its rich culture. Cultural output is also a symbol of national strength. Artwork as part of the art and culture, is no longer just a narrow sense before pure to match a book illustrations so simple. It covers many areas, it is a kind of important means of modern design, with its intuitive vivid and appealing, occupies a certain place in modern design. Illustration of this art form to promote the national spirit, to carry forward the Chinese local culture resources can play a decisive role. Artwork has diversified and mix build, make its can opportunities in all aspects. The tension and elastic function in spreading national culture is proper. And profound cultural background and accumulation and can promote the illustration art development, is the inexhaustible treasure-house illustrations creative flow. The two complement each other.In recent years, especially the development of the artwork. From two-dimensional to three-dimensional, two-dimensional to three-dimensional, static to dynamic, from single to multiple. Even some combination of high-tech, holographic technology, etc.,4 d open hole let illustration artistic sensuous have quality. Including the development of interactive technology now, people is higher and higher demand for illustration also, not only to a high degree of aesthetic, also have the function of interest, and combining with the other senses. Common dynamic illustration qr code recently swept through the network platform. In Shanghai at the end of 2015 New Year's show, Japan UGOITA groups using illustration graphics and sound combination of traditional style of float world draw illustrations also along with music to move up, the traditional Japanese culture innovation once again.As a successor of the Chinese nation culture, see foreign innovation of traditional culture, not from the germination of strong sense of responsibility. We have an obligation to carry forward the spirit of national culture and connotation, can't let national culture deep sleep, become ruins. But take its essence, to learn and use, let it alive, to experience more rich. Base, the source, the illustration art goes back to ancient times, looking for belong to the Chinese national style, while China ancientry is a very good point. By the point and the surface, the future will have unlimited possibilities.Text mainly divides into four parts in this paper. The first part discusses the illustration art development course and present situation analysis. Based on the artwork of the formation and development of the basic context to clarify its development course, phase characteristics, transmission and use and analysis of the status quo at home and abroad. The second part discusses the artistic personality of the Chinese ancient illustration.From ancient feelings, the essence of traditional Chinese painting, the connotation of the national research complement each other on three aspects:antique artwork of personality traits. The third part discusses the artistic personality, combined with the practice of the author, "bang cut firewood", for example summarizes ancient illustration of inheritance and innovation of traditional Chinese painting. Based on its elements, hold the characteristic of its style and personality. Expound how to native culture through ancient illustration in the form of expression. How will the spirit of national culture and connotation into work, make antique alive, inherit and carry forward. The future may become the main force of a national culture promotion. The fourth part discusses the future trend of the antique artwork.Research, is not only a major exploration and research, the author from points of interest. I have been advocating foreign artwork in the 90 s, through continuous contact and thinking, gradually transition to focus on domestic illustrations, attach importance to the direction of the Chinese ancient illustration. Also the content of the study by predecessors research, benefit, finally it is concluded that, China's ancient illustration is of great significance to spread national culture, hope that more artwork look to their country's characteristic culture. And ancient illustration more interesting, in line with the modern aesthetic, in the service of our society.