On Ni Zan' Landscape Painting Of Yi Style In The View Of Multidimensional Spiritual Ecology

Ni Zan is one of the traditional literal artists,who is the Chinese painting master of the 14 th century in Yuan dynasty. His landscape paintings are always give you a feeling of deserted and cold and is praised as ‘Yi' grid.The ‘Yi' is a complex concept system with multiple contents. reflected in his clean image and refined and aloof personality.Ni Zan painting is ‘Yi', as reflected in the Ni Yuan Dynasty landscape painting, more emphasis on subjectivity, spiritual, lyrical and philosophical than the previous generation of realistic landscape painting.Ni is also reflected in the painting as a literati painting than painting academy and civil Videos less subject to external constraints, it is the expression of thoughts and feelings more freely. Spiritual ecology Ni Zan is multidimensional, dialectical harmony, which exhibits ‘Yi' the general characteristics. Ni Zan in the early, middle and later years were influenced by Confucianism, Taoism and Buddhism philosophy, which were presented as a spiritual ecological harmony, and discord and, Japan stage characteristics.It's landscape Yat grid style were also presented as‘ harmony' the Plaza ‘tour' of the Plaza, ‘Fuji' and escape. This particular highlight the overall effect, elegant Ni Videos of Chiang Kai-shek, far wide ethereal composition, light naive old pen and ink, utterly lonely solitary images, totally harmony mood. The literal landscape painting incorporate ecological aesthetic perspective, is conducive to extend the ecological diversity and the target of criticism criticism space. literal painters spiritual ecology research helps change the past.We only focus on the natural and social ecology of the situation.The Ni Zan ‘Yi' gridlandscape into ‘spiritual ecology' visual threshold.Ni Zan study different periods of spiritual ecology and ‘Yi' Georgia landscape with ‘dialectical harmony' theory and methods, concurrent unearthed a series of related Chinese traditional aesthetic categories, conducive to research perspective,theory, method and style of criticism collaborative innovation.