Three Kingdoms Historical Story Method Research

Three kingdoms historical images of the story, history writing and literary works constitute the Three Kingdoms history. With the continuous development and renewal of film and television technology, some excellent film and television works about the three kingdoms won the box-office value and word of praise. Three kingdoms historical images and films can be divided into two major categories of historical film and the historical documentary. Historical film is a work to Performance or reproduce the history. Most of these films and television plays in respect history facts on the basis of the subjective artistic creation. The three kingdoms and the Romance of the Three Kingdoms can be said to be the representative of the realism of the film and television play. The romance of The Three Kingdoms whether from the choice of actors or plot, strive to close to the historical facts, with a strong historical narrative. Although the Qing dynasty scholar Zhang xuecheng once evaluation of The Three Kingdoms, the fact is greater than fiction. Therefore the film of three kingdoms have the obvious tendency of realism. In the process of the long-term development of historical documentary, achieved the transformation by the "historicism" to "new historicism", the different of historicism and new historicism can be divided from the content and form. In content, historical documentary narrative more grand, the rise and fall of one country, one party or a dynasty. New historicism is from people, often small incidents, to gradually excavate the historical background behind the characters, it pay more attention to history and personal relationship, from the perspective of the people, people-oriented, more can reflect the humanistic care and humanistic ideas of the documentary. Formally, historicism used more commentary in the first, the backgrand music and a lot of location shooting. But the new historicism is a kind of storytelling, it has more freedom in the narration, and time-to-space conversion. Three Kingdoms story in Xuchang is adopted the perspective of new historicism, is a collection of live action, scene representation, literature historical documentaries. The first part mainly tells the story of Cao cao greet the emperor to xuchang, cherished the people gone to the process of growing. The second part tells the story of Cao cao defeated Liu bei. And the process of summon Guan yu to surrender.The first part of this article, firstly discusses The Three Kingdoms history source and communication styles, from the book of The Later Han Dynasty to The Story Of The Three Kingdoms and the films today. The book of the History As A Mirror is a watershed of the literary narration and the history narration about the three kingdoms history. It gives three kingdoms history is a complete framework, there is the beginning of this period of history, development, climax and end, like a painting picture show. The chronological narrative adds new vitality to The Three Kingdoms history, laid the foundation for the birth of The Romance of the Three Kingdoms. For the three kingdoms history by comparing the original story of image narrative of The Three Kingdoms and the new "three kingdoms" in the different narrative, summed up The Three Kingdoms historical story of two kinds of narrative context that is centered on historical events and centered on the shaping of their own. Are introduced in the spread of The Three Kingdoms history drama communication and image transmission, for the three historical themes of the image of a brief summary, adopt the method of classification of its type, summed up The Three Kingdoms period and three kingdoms period drama types, and discusses the three historical themes the film and television play the road of innovation both in content and form.The second part is the analysis of shooting method about The Three Kingdoms history documentary film. From planning to personnel equipment to the film editings, has strong practical significance. At the same time, in the process, this paper expounds the three forms of expression of historical documentary film and the problems need attention during production, such as scene reappearance of first to deal with the main body. The stand or fall of situation representation is not totally depends on whether there is a grand scene, and is for the processing of detail place, subject’s every move, dress appearance is in line with the characteristics of the characters.