7000 years ago, after the baptism of the spring and Autumn period and the Warring States period, and Qin Dynasty unified the world, lacquer was produced as the art of Han Dynasty aristocrat eager pursuit. And after the baptism of Confucianism, Taoism and Buddhism in Han Dynasty, the decoration style of lacquer are also continuous innovation with the changes of time in the 400 years, and the heyday of Chinese lacquer culture are shaped ultimately. Not only in use and shape, but also in decoration and pattern, the Han Dynasty lacquer have reached the point of culmination, and had an influence on the later development of Chinese lacquer. The development of lacquer ware in the feudal society has told a paragraph, although for its technical and practical issues in today’s society, the lacquer has been gradually withdraw from the stage of history, the shape and the decorative beauty has been affecting the development of China’s design industry, and even affect the Chinese people’s aesthetic consciousness. Design needs to be rooted in the culture of the soil, and China has a long history and culture, a series of excellent artistic elements are extracted from the essence of these historical and cultural, and Han Dynasty lacquer was the typical. Therefore, for the thrive of Han Dynasty lacquer, the development of China’s design must be rooted in the soil.This paper takes Han Dynasty lacquer as the research object, through the extensive research on lacquer works in the spring and autumn and the Warring States, the Western Han and the Eastern Han Dynasty unearthed, combined with the research results from various literatures, the decorative features of Han Dynasty lacquer ware systematic analyzed. Han Dynasty lacquer uses,manufacturing process are mainly researched, then the form, feature and artistic language were analyzed respectively, and the artistic features and aesthetic characteristics were researched from the aesthetic point of view. Through the research, the development of Han Dynasty lacquer is not accidental, and connected with its social, cultural and historical closely, and around the cultural characteristics of that time, the unique artistic style and aesthetic characteristics are formulated ultimately.In the first part of this research, and combining with the present situation and the development dilemma of packaging design in our country, the design and development and significance of Han Dynasty lacquer decoration in packaging design are researched. And the practical application of Han Dynasty lacquer decoration in packaging design are researched from four aspects of shape, decoration, color and material inquiry.Finally, in the light of the present situation of the development of China’s packaging design,starting from the lacquer decoration cultural and geographical characteristics, the development of packaging design in our country in the future and enlightenment in the Han Dynasty lacquer are researched.The development of the Han Dynasty lacquer is just a branch of traditional cultural symbols in China, and a kind of carrier of China’s long history and culture. There are many branches of this kind, we went to study them, is not only to understand them at the time of the event, andthese elements should be the culture support of Chinese future design, and all kinds of excellent design elements should be found in the long history of culture, and eventually promoting our country to design power. |