A Research On The Acoustic Narrative Of Jean-Christophe

John Christophe is one of the most important classic works of the French author Romain Rolland. John Christophe talks about a story that the hero John Christophe who against fate and finally defeat it. As a great piano player, Romain Rolland's sensitive perception of sound were written into the text. This article answers the question how Romain Rolland express himself in words and music.The Acoustic Narrative's core action is hearing. The first part of this article focus on the auditory imagery, including bells, the sound of music and all the hustle and bustle sounds, which as the representative voice of the auditory imagery, analysis the auditory imagery how to construct the narrative space in the course of the narrative, and promote the development of the story. The second part focuses on the auditory imagery of Christophe's listening, from the perspective of Authors and readers to analyze the character shaping strategies: "Listen to the sound of class shape" and the establishment of auditory space. The third part focuses on Christophe's hearing action, In the lifetime pursuit of music of Christophe, John Christophe's narrative tricks is circular narrative tricks. His the pursuit of "true " music drive the whole story, so hearing contact with the circular narrative and the grammar narrative tricks, which syntax still in internal narrative logic of grammar narrative driving the story, thus becoming a source of inner narrative, the whole work of architecture from the narrative tricks.In short, this article attempts to analysis the Jean Christophe 's auditory imagery and narrative structure of narrative theory, which expect to provide a more reasonable paradigm of rereading classic works.