Research On Application Of Analogy And Association In Dance Creation

Artistic creation can also be known as art making. In terms of artistic creation, a statement of the celebrated artist Zhu Guangqian can be used for reference here, "before being conveyed, artistic creation is merely an imagination". Imagination is an image in people's heart. "Creative imagination" is indispensable in art. Since we call it "imagination", it cannot be created out of nothing. It must be artistic works that are ultimately formed by absorbing inspirations in life and integrating certain thoughts of the creator for further processing. Only this verifies that choreographers are mostly inspired by their life, and the mode of expression also approaches to life. Choreographers hold unique requirements towards each dance movement. Only by comprehending the style and characteristics of the movement can the lingering charm and connotation of dance be profoundly understood. Only by understanding choreographers'intentions can dance movement be perfect and graceful. The various types of dance competitions or programs on TV have brought dance to people's life in recent years. There are also miscellaneous works that are too much for the audience to feast on. This has also brought tremendous challenges and development opportunities to dance creation. Thanks to this, the mode of choreography is more diversified, the content of the works is more meaningful, and it is easier for the theme and main idea of the dance to resonate with the audience in the heart. However, there are more than one methods of dance creation, and the methods of creation and categories of dance are diverse from each other, because art is formed in different trial creation. Speaking of the mode and rule of artistic creation, the rule of artistic creation is mentioned in this paper---metaphor and association is a mode that can be utilized in trial creation. By virtue of creation techniques like metaphor and association, this mode of artistic creation adopts the mode of performance "metaphor of object" and "metaphor of people" in choreography. In this way, object and people can realize mutual "metaphor". Meanwhile, the characteristics of "character in metaphor" can be observed in life, and the characteristics of their co-relationship can be excavated, so as to set brand-new performance modes for the characters in dance creation materials. Thus, more space of performance and imagination can be integrated in the performance of dancers. Through dancers'performance, the audience's imaginative conception can be gradually pulled closer to the connotation of dance, which reflects the perfect integration of choreographers'ideas and dancers' movement. Not only can the main idea of the dance be grasped, it also reflects the true charm of dance creation. Thanks to this technique of creation, the form of dance expression becomes more novel, dancers'psychology and emotion can be more accurate and authentic, and dance movement can be more powerful and expressive. Through the theme and storyline of dance that can be more persuasive, the audience can ultimately comprehend and experience choreographers'ideas and intentions of creation.