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A Comparative Study On Wei Tablets Creations Of Late Qing Dynasty And Early Age Of The Republic Of China And Nowdays

Posted on:2017-12-24Degree:MasterType:Thesis
Country:ChinaCandidate:Y S QinFull Text:PDF
GTID:2335330485950308Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The late Qing Dynasty and early age of the Republic of China is the summary period of Stone Tablets study,and it is also the golden development age of Stone Tablets of Wei.Since then,Stone Tablets of Wei still evolved along the late Qing Dynasty and early age of the Republic of China.Until the 1980 s,it appeared some new styles.Especially creations of Stone Tablets of Wei in the recent decade,it has formed the unique aesthetic style and features,and today,it's time to summary and review the aesthetic style.There are north masters represented by Zhao zhiqian,Kang Youwei and others during the late Qing Dynasty and early age of the Republic of China,since the early age of 1980 s,Sun Boxiang,Wang Yong,are representatives of north masters,which in turn are Zeng Xiang,Liu Yanhu,li Song and so on.After 2005,creations of Stone Tablets of Wei appeared many changes,it shows the special era style from the aspects of technique,composition,pen,etc,.Stepped into 2015,with the host of the 11 th National exhibition and the re-election of Chinese calligraphy association,Chinese calligraphy is in the period of “inflection point”.Many signs shows that,from the organization to the exhibition,the held times of Chinese calligraphy is greatly different from the before,so it is necessary to conduct an in-depth analysis about the status of Stone Tablets of Wei,and combined with development of Stone Tablets of Wei,points out the current gain and loss,and this is also the starting point and the foothold of this thesis.
Keywords/Search Tags:North creation, Aesthetic orientation, Works interpretion
PDF Full Text Request
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