Discussion On Practical Characters Of Wu Guanzhong's Paintings Aesthetics

Wu Guanzhong in the 20 th Century as an outstanding master of the art of painting and aesthetic theorist, its aesthetics from his Reflections on the practice of painting, his painting practice practicing with their aesthetics. Wu's artistic exploration pilot at the time, creating a different style of contemporary painting. He proposed a series of representative aesthetics, the development of Chinese painting had a profound impact. He always practicing the nationalization of oil painting and modern philosophy to forge a new direction for the development of traditional Chinese painting.Living environment is the practical foundation of Wu Guanzhong painting aesthetics, he thought on the art of painting formed lasting and hard, during the Hangzhou National College of Art to study, affected seniors Lin, Pan Tianshou thinking, he initially established a fusion of Chinese and Western Art concept. After going through twists and turns foot on French study of the road, by the influence of modern Western painting, recognizing the "abstract" and the true meaning of "form",its "abstract beauty", "formal beauty" Painting Ideology and lay the foundation. After returning home by painting ideas and political influence it can not be fully displayed,and a certain degree of repression. In the rough, tough, and Wu is still constantly thinking about the problem of Chinese and Western painting fused in practice, the development of a "continuous line kite", "abstract beauty", "formal beauty", "zero ink," and a series of painting aesthetic categories. Aesthetics artistic practice as sublimation, is based on a myriad of creative experience and aesthetic perception, Wu has always been its aesthetics to guide the painting based on practice, to practice painting to promote the improvement of aesthetics. As a theorist and artist Wu Guanzhong is through the dual perspective of these two identities, to break down barriers between theory and practice, has developed a unique character of his painting aesthetics practical features. Through practical character of Wu Guanzhong Painting Aesthetics, Reflection on Chinese contemporary art development in the theory and practice of touch, the practice of art criticism theory ignore the guidance, resulting in the loss of artistic value of the painting, the lack of introspection to vulgarization. Art theory lacks practical basis, so that the theory of floating on the surface, unrealistic,lack of guidance. Wu Practical Aesthetics of Enlightenment Chinese contemporary art should focus on the combination of theory and practice to achieve positive interaction between theory and practice, and promote innovation and development in the field of painting.