The "Peeping" Writing Of Chinese Novels In The New Era

This thesis consists of three parts: introduction, body and conclusion.Introduction part. The introduction consists of three parts: "Peep——human hidden complex" "Peeping writing of Chinese novels in the new era " and " the research status of this topic ".Firstly, I try to explain the " peep " from the perspective of psychoanalysis, literature and sociology——it is both a unique visual way, and the human nature and the widespread desire. Secondly, I will try to explain the connotation and researching value of Peeping Writing in the new period by grooming the peeping writing`s novels. Finally, I explain the reason why I choice this topic and introduce the "Peeping" writing research status.Body part. The body part is composed of four chapters.The first chapter is talking about the cause of "Peeping" writing, which is divided into three sections by the typical texts such as The Story Of Zaohuo, Half Of Man Is Woman and Ruined City to explain the Peeping writing`s generation background and the necessity of its existence: it`s the necessity of a writer to explore deep humanity, it`s the necessity of the text character to fill his aesthetic need and expression, it`s the necessity of readers to accept the experience of peeping reading and peeping imagination.The second chapter is the comprehensive analysis of "Peeping" writing, which is divided into three sections. The first section explains the four types of "Peeping" writing: the "Peeping" writing of sexual impulse driven by the desire of "peep", the "Peeping" writing which is driven by curiosity to seek the "free activity of life", the "Peeping" writing which perform the evil human nature and the legalized "peeping" writing. In the second section, I try to analyze the cultural significance of "Peeping" writing: which attacks on internal traditional morality ethics,criticizes the external political environment which depressed the human nature as well as in the commercial economy rethinks the expansion of the human desire. The third section analyzes the common artistic expression in the "Peeping" writing: humor and irony, absurdity, imagination and the combination of the virtual and actual.The third chapter is the analysis of the Mass Cultural psychology of the "Peeping" writing, which is divided into three sections. The first section is to analyze the causes of the formation of the "Collective Peep" phenomenon which appeared under the Mass Communications, and it`s the hidden crisis of the times. In the second section I will explore development of the "Peeping" writing by the times which from the dimension of literature history, cultural and social significance. The third section focuses on the analysis of the development trend of the "Peeping" writing in the novels of the new period, which appeared the main body of the narrative popularity and the diversification of the content.In the fourth chapter, I try to explore the complex psychology of the writers and the limitation of "Peeping" writing, which is divided into two parts. The first section connects the specific cultural background of the writers` creation to discuss the cultural psychology of the writers` which hidden in the "Peeping" narrative in the text. In the second section, on the basis of the objective evaluation of the "peep", I`ll try to analyze the limitations of the "Peeping" writing by three aspects: the writing object of the "peep", the writing attitude of the writers and the influence of the "Peeping" writing.Epilogue part. I will summarize the key content of this paper: "Peeping" writing is a unique literary writing mean with an intergration of other knowledge. On the one hand it develops a novel and new narrative point of view, performances and meets people`s aesthetic needs in the specific background, broaden the narrative space and intended to show human nature in depth and breadth, achieves the different levels of desire in literature field; at the same time, it also reflects the changes of the novels in the new period context, reveals the writers intention and cultural psychology underlying. But we should also dialectically treat the "peep", understand the "Peeping" writing of its own limitations and clear the moral bottom line of literary narrative.