Unscrambling The Beauty Of Stippling

When it comes to Stippling, the majority of people will probably don't quite und erstand, or just think of Georges Seurat immediately and narrowly treat it as Divisioni sm. Essentially Divisionism is not equal to stipple, the wrong cognition of treating Di visionism as Stippling had really imprisoned the openness of artistic thinking to a gre at degree.Stippling contains a wide range, while Divisionism is only one of the most representative academic schools who use Stippling skills. With the development of the Times, many art forms gradually expanded, including Stippling, which had been give n a new meaning and contemporary feeling. The technique, form, style and subject of Stippling had all been further enriched and perfected. This is a process of exploring and updating, thus the present research and interpretation of the Stippling is very nece ssary.The main purpose of this paper is to appreciate the beauty of Stippling through u nscrambling Stippling, and this paper mainly includes two parts. The former part is un scrambling Stippling, which is divided into three chapters: respectively the features, his tory and application of Stippling. The latter part is to appreciate the charm of languag e in Stippling, specifically by the analyzing of its color, brushwork, decorative, symbo lization and artistic conception. In addition, some representative artists and their works are introduced to show the charm of Stippling. Through the unscrambling and apprec iation of Stippling, this paper further confirmed its significance and strong vitality in present.In the research and exploration of Stippling, I had also benefit a lot. The in-depth understanding and reinterpreting of Stippling has on one hand broken my original narr ow cognition that Stippling only refers to the Stippling techniques in new impressionis m, and on the other hand, it has guiding significance.f the material for my creation of painting.