In 2013,I played in the ancient city of spring breeze all wildfires Chen yao, in order to to shape the character image successfully, in the script as well as for the on. I’m going to and the problems in the performance, summarized and analyzed. From the perspective of lines monologue, to have difficulty characteristic lines in the script to focus on analysis; From my point of view, classical aria in script form structure, modal tonality Angle analysis; From the perspective of style to use, Chen yao to play in the corner of the unique style and singing processing analysis. Finally, the performance stage scheduling tiny neglected problems encountered in the problem analysis. Script from the detail analysis of the performance, the roles have a more profound and detailed understanding of, also plays a role after the actor provides text for reference. |