The Expression Of Visual Language Of Material In Interior Design

With the increasingly prosperous social economy,the requirements of the indoor space environment have not only confined to the functional space,but are more reflected in the desire to enjoy the spirit while achieving their own social value.Material is not only visual but also can be touched,and people can also perceive by their minds,from natural materials to man-made materials,the means and forms of its use with the development of society and constantly have been changing,not only the traditionally and conceptually,and many of them are compatible with the development of art design,and materials science progress for the background of the continuous expansion.All of the material itself can be associated with the feelings and memories with the ability to mobilize the visual meaning.The visual language of the material in the interior design of the culture,emotion and aesthetic expression are its own attributes of the role of people’s emotions to determine the situation,the audience into the specific space of the moment,different materials,visual language through the eyes immediately act on its inner world,producing awakening and resonance based on psychology,experience,emotion,culture,and aesthetics,as well as gaining the choice or satisfaction.This paper analyzes the different visual languages possessed by different materials in interior design,combined with a large number of cases and research reports to study the different feelings of the visual language of various materials for the audience and has a guiding significance on special factor in the interior design of culture emotional and aesthetic expression of the impact and grasp of the interior design of the pertinence of the application.Designers can only correctly understand and use the visual language of the material in the actual design of the success of the ideas,thinking and emotions to convey to the audience,meeting its practical function and spiritual level of the complete demand,in order to achieve the connotation of the design.