Study On Qian Songyan Landscape Painting Theme Changes Under The Background Of New China 17 Years

After the founding of new China, the party and the state adopt the policies of literature and art. In response to this call, Chinese painting has begon to service for the workers, peasants and soldiers, serves the socialist construction road. The 17 years of new China is the initial period of development in various fields, and it plays an important role as a connecting link between the preceding and the following, artists began to transform the traditional Chinese painting, which Qian Songyan belongs to, although he is not typical or representative, but in the way of innovation of the traditional Chinese painting, has done and indelible.First, This article discusses their(the change of political environment, the transformation of Chinese painting and ‘reinvention’) influence of Qian Songyan’s transform landscape painting themes, by analyzing the seventeen years(1949-1966) of the new China’s requirement for literature and art, the process of the transformation of Chinese painting, Qian Songyan’s description of the life, early painting style, and process of the thought transition, and so on. Then, it classifies Qian Songyan’s landscape painting after the change of subject matter, and also does the transverse comparison and analysis the implementation ways of transformation. Finally, it discusses Qian Songyan’s theme of change influence on the late landscape painting creation, and the relationship between the change of subject and his sketches. Through a series of logical relationship, inspects its landscape painting during this period themes of change and transformation, clear the new subject selection and development of the new China landscape painting development of great significance for 17 years, the spirit of the age and the role of political influence on art creation.