The Research Of Liu Shengya’s Literary Creation

Liu Shengya, an influential writer from 1930 or 1940’s to 1950’s in the history of Chinese literature, died in his middle age, and his best works mainly emerged in the 1930’s and 1940’s, whose representative novels include little mother,the night fog, hell gate, the water margin, the final order, and his prose includes the swastika word flag, etc.. Themes of his literary creation are of great prominence, which include anti-fascism, human nature under a state of wars, critique to old China society, and celebration of new China.Liu had experienced replacement of old policy and new one, on the summer of the year of 1951 he suffered literature crisis by organization in Chongqing owing to the novel rebirth under the government of new policy consciousness. This matter was called rebirth event, which though half of century and even change his fate in Chongqing. Although it is a regional event, it was earlier than Xiao ye mu and we couples, and synchronously the discussion on the movie the biography of wu xun, especially it appealed the focus of the statement of consciousness from the highest government. It can say that it was nationality, experienced and educational. A comprehensive investigation of rebirth event will help to more comprehensively and more realistically learn of the improving process in the 50’s Chinese modern literature. And it is the typical case of writer’s contradictory condition.New China is a watershed in Liu’s literary creations. Choice of subject matter content changed from focusing on ordinary people fate, criticizing despotism, and exposing unreasonable social reality to intoning new era and new life; Figures images from the focus of community to the bottom of the little people transferred to the praise the master of the new characters who turn over; The artistic expression varied from chilling depiction to emotional, passionate and unrestrained depiction to society and people’s life. Liu’s literary creation from “inside” to “outside”, from “cold” to “hot” formed different creative style compared after with before : the melancholy and misery, later on, clear enthusiasm. This change was caused by Liu’s emotional tendency, which embodied creation of the subjective consciousness of his, and his inner feelings combined with real life and target depicting. Whether it was melancholy or enthusiasm bright, it was in line with the characteristics of times.Liu formed his own artistic skills in his literacy creation. First and foremost, he had tendency to integrating multiple character portrayed to render and scenes and dialogue applied, and the tragedy of female image in the unreasonable system was shaped most prominently under the pen of colorful characters which added new characteristics for character of Chinese modern literature gallery. Secondly, paying attention to adopt traditional ethnic techniques to describe psychology, and people spiritual journey, plot propulsion and atmosphere are related and connected. Liu was good at drawing portrait minds and the words and deeds are relatively fine, he also was good at performing potential consciousness, such as human thought. Lastly, using passionate narrative way to describe scenery, and using poetic language, his works have appeared lyric temperature of level nature and enthusiasm.Although Liu is concerned by rare people in the history of modern and contemporary Chinese literature, sorting though his literary creation, it is not hard to find that his international field of vision of patriotism became a pioneer among those have similar experience against fascism. Liu, meanwhile, following the humanitarian literature spirit of may 4th, had a fate of mortal compassion, and his literary creation showed a thick sense of civilian consciousness, showed strong civilian consciousness and eventually reached the realm of literature with people.