Research Of “liu Guan” On Chinese Classical Aesthetic Methods

"Guan" occupies an important position in Chinese culture or philosophical concept. "Yang Guan images" originated in the profound "Book of Changes", this dynamic style of the original observation of the natural world to learn thinking, after Chinese people continue to interpretation and application, especially with the rich literary and artistic creation practice experience, gradually evolved a system quite typical of classical art and Appreciation- "flow View." "Liu Guan" its "Yang Guan look down, distance and take" of the swim head ring visions outlook, "the body linger,head of the Credit Shield" of the body that is Yumu concept of "structured life and to move in harmony," the concept of the rhythm of life, and "head past also, the heart also breathing" and return to and from the main concept of aesthetic meaning,coherence to many different fields of art poetry, paintings, gardens, and other different era, and its main manifestations "week stream" of consciousness poetry "distant neighbors pitch" of the Concept; painting "three away," said the "Grand little" law;garden art "pitch distance" by the King, the King would like. Such contemplation based on the ancient Chinese culture in the way "Guan" deep cultural characteristics,is itself built up a mature theory, and in turn guide the Chinese literary and artistic creation, and promote awareness of time and space and the birth of Chinese artistic conception. Therefore Discussion "Liu Guan" reasons arising from contemplation of ways, the development, the formation and the associated content, concepts, historical factors help to understand Chinese classical art to create inner logic and context, as well as China "Guan" Cultural Studies It provides a typical method and direction.