Stage Performance In "Afraid" Of Psychological Analysis And Countermeasure Research

As a common phenomenon in the stage show, "stage fright" almost every actor needs to face the problem. The formation mechanism of the performer and the personal stage experience it, is also related to human psychological structure and environmental factors such as stage. Academic circles at home and abroad are on this problem launched a more in-depth study. The research results not only help to us from a more comprehensive perspective to understand "stage fright" phenomenon of formation mechanism, but also provides a valuable method for the stage performer to deal with related issues.From do not see, it is because of relatively long drama, .drama and other forms of performing arts in the western society and this kind of performing arts in the cultural life of the western mainstream society played very important role to promote the western scholars pay attention to this problem. Since since 1894:first to solve the problem of academic papers and modern psychology is always scholars to study and explore the "stage fright" formation mechanism and the main entry point for the solution, the research results for the stage performer provides referential solutions.Domestic academic circles concern for this problem began in the middle of the 20th century, influenced by the mainstream culture of the society at that time did not have the psychology research methods as discussed in the main entry point for the "stage fright". At the same time, we must also be aware of the stage for the red classical repertoire or distinctive characteristics of art works, people more recognition from performing experience point of view to analyze the problem. In general, the domestic research on "stage fright" phenomenon is not much, started late.Through the comparison of eastern and western academic circles for stage performances in the problems of the "stage fright" analysis, we clearly consciousness to domestic academic circles to solve the problem of research there are still many blank spots. While the western research mainly focused on the opera, drama. discourse analysis as a starting point, to provide reference for ideological and academic circles in China, also opened up a new field of research for us. In view of the current academic circles on "stage fright" research is still in the initial stage, we consider this as a topic has a certain academic innovation.