The Main Consciousness Theory In Li Jie’s Drama

Li Jie’s drama has representatived of northeast drama in the new period. His drama has been on behalf of the northeast drama, focusing on human care, pursuit of humanism,pursuit the common love of the Northeast under his feet. Li Jie’s early drama concerned with social contradiction and reflection, revealing people’s physical and psychological trauma of the previous movements after the country foundation. He was different from other northeast dramatists in his contemporary because that he focued more on people and society, as well as conflicts among people. His later works, from exploring of the political and social dimensions turned to the question of human nature, concerned about the survival fate of his characters, and digged deeper into the inner experience and the emotional value. Li Jie’s drama epitomized the northeast realistic drama. Li himself was a humanist and humanism and humanity spirit in his works all the time. Speaking from the dramatic ontology and its cognitive function, Li Jie’s drama not only has been on behalf of the northeast drama, but also it is the direction,which Chinese modernization drama should stick to.New era, the research about Li Jie’ drama is not much and it almost concentrates on the dramatic text study, with lacking of drama research about question of human nature and history, and Li Jie’s drama on modern Chinese drama in the process of asking, now has more space and research value,so the paper’s gist bases on this germinal’s argument.This paper chooses Li Jie’s seven drama creation in the new period as the object of study,which are the parent-child hates,the wills of dying,the sea,the autumn in red sorghum when the geese crossing,the fields are green fields again, pagoda Street, discussing the seven drama in his special creation ime and the historical contextAt the same time, this paper divids into the following four chapters to explore the humanistic thought and the present value in Li’s drama.The first chapter, modernity search is drama subjectivity consciousness and aesthetic pursuit in three creation periods of Li Jie’s drama; the second chapter, basic features of Li Jie’s drama:misery writing and humanity calling; the third chapter, Li Jie’s drama is one representative of northeast drama, and its theme is about loving the hill and the land of northeast area,which is concentrated performance of northeast drama; the fourth chapter, the humanistic care of Li Jie’s drama, is the indispensable target and direction in China drama modern process.