Study Of Illustrations In The Chongzhen Version Of Jinpingmei

Western intertextuality theory that images and language are two different kinds of text, with interwoven between the two, the interaction between interrelated. Due to the different performance characteristics of the image and text, so most likely it contains illustrations readers conscious re-creation, constitute a unique image narrative text. "Jinpingmei" novel itself temptress words, a large number of spy scenes, and characters and language have created a marketplace theme painting difficult, Chong Zhen "Jin Ping Mei" Illustration able to try to break through barriers, with plenty of white space and varied perspectives, new figures etc., to show carved reading attitude, and lead the reader to understand the hidden subject, aim to strengthen the text, resulting in the proliferation of text.Therefore, this article will be based on the perspective of graphic relations, discuss the relationship Chongzhen this "Jinpingmei" between illustration and text from three aspects, one illustration is a "Golden Lotus" an important part of the publication to take this argument, and the same is to show the reader consciousness, is the late Ming "Golden Lotus" readers acceptance and criticism of the material can not be ignored. The first chapter discuss the "Jinpingmei" illustration of the formation of the background, the first describes the formation and spread "Jinpingmei" illustrations; Section II "intertextuality" theory start Overview Relations " Jinpingmei" illustration and text. The second chapter, " Jinpingmei " handle illustration scene to scene reproduction and the plot of the selection are described. The third chapter spy scenes and sex scenes distinguish, discuss the " Jinpingmei" Illustration strengthen the theme. Chapter criticism from two directions and compassion, and to explore the " Jinpingmei" illustration of the text, "Commentary."...