The Embodiment Of Deconstruction Synthesis Of Hisaishi’s Two Film Works Research

This dissertation mainly uses the deconstruction way to explore the Japanese composer Hisaishi’s movie music composition style,From Hisaishi and two excellent directors’ cinema,Respectively of Joe Hisaishi melody writing skills in and harmony allocation of the special vocabulary, and orchestration of some flash point inquiry film music composer and the film itself.A composer with a personal style,like Joe Hisaishi,how does he foil even figurative story will in different story?Use the same motivation throughout the movie or write some different passage?Their internal connection is what kind of?Japanese folk music, twentieth Century minimalism, Impressionist composers give what impact on Hisaishi?After the study,what enlightenment can we get?These will be mentioned in the dissertation.This paper is composed of the introduction, three chapters, the conclusion(epilogue) and the appendix.The introduction mainly tells about The background of this topic, composer Joe Hisaishi and film directors(Hayao Miyazaki, Takeshi Kitano)’ introduction, and concept of the word Deconstruction.The first chapter is divided into two parts,The first part introduces the style of the two directors,and these two movies.The second part introduces the style of Hisaishi’s works,and do some analysis for these two works.Do the Analysis of the development of relations between drama and music emotion with deconstruction.The second chapter starts with several elements of composing music,and probe Hisaishi’s composing techniques,include these ways:Melody lines, harmony, musical deconstruction, orchestration, the variation of the ordinary and special skills, the use of national musical instruments and allocation.Found Hisaishi’s favorite use of eleven chord writing habits.Third chapter is divided into two parts,one discussed the use of Hisaishi of minimalism,different variations, reflecting the development of techniques in Hisaishi’s works.Hisaishi found to be less variation on the theme of the motivation of writing habits.The other part is about analysis of Hisaishi’s success and the inspiration to the composer from different angles.Finally,the epilogue will show us some applied conclusions from the deconstruction of Joe Hisaishi’s film music.Appendix:Introduction to the citation of papers, journals, music scores.