The Melody Development Of The Shandong Eastern Region Dagu Art

Shandong Dagu Art of Eastern Region, its origin can be traced back to the Song and Yuan Dynasties, eventually forming in the late Qing Dynasty, due to the efforts of the literati. In its development process, after the early stage of the Qing Dynasty, the former stage, the stage of the late Qing Dynasty and the mature period, the new development of the fifty or sixty’s in twentieth century, the decline since the Reform and Opening up. In the folklore of Shandong Dagu Art of Eastern Region initially are named with names of spreading area. Such as Anqiu Dagu, Zhucheng Dagu, Cangma Dagu, Pingdu Dagu. In the identity, these schools of artists have no common sense of the art. Some artists can’t accept their Dagu art belongs to the Shandong Dagu Art of Eastern Region.Quyi music is folk music singing combination of performances, in singing tend to be a mixture of gesprochen will occur in the singing characteristics. The Shandong Dagu Art of Eastern Region singing form and dialect has a strong relationship. East Dagu originated in the Jiaodong area, have a certain relationship with the origin of the "Old East Art". In this area the dialect intonation habits is the tone from high to low, which is downward basic melody framework of root formation. Careful observation of each area of the Dagu art genres, will find many schools own personalized performance. This expression can be summarized as:Jiaodong factions are obviously different from those of the Binzhou sent, Jiaodong factions also have an obvious difference in the details. How to look at the causes of the difference is the focus of this paper.The Shandong Dagu Art of Eastern Region has formed two kinds of mode in the commonly used way of change. One is from their own form of "variation"; another is the other is "absorption". "Variation" of mostly by dialect tone, the characteristics of the local music and audience aesthetic effect, which is a choice of its morphological changes. And "absorption" is divided into two, the first to absorb tunes of other arts and transformed into their own tunes; another is to directly use other material without any change in the reference other singing. The "absorption" and its position similar to its gesprochen, rarely used musical instruments for accompaniment.The two kinds of changes are common to the form of modern folk opera and folk art. They broke the rigorous program of the tune of original opera and quyi, formed a:old program-program for new-new and old program new program......interlocking and flexible changes of program. The Banqiang singing class opera, manifestation and expression has been greatly expanded. This program strictly and opera was formed in two different development path.