The Study On Zhou Bangyan Hookers Poems

Called the female singers Ci is refers to the geisha image and mentality, as well as the poet with geisha relationship for writing content words. In this paper, the Zhou Bangyan the female singers Ci as the research object, from the definition of the female singers Ci, creation and for creative features and historical status of Zhou Bangyan the female singers Ci were discussed, will also Zhou Bangyan the female singers Ci creation and Liu Yong the female singers Ci are compared, so as to explore the Ya Zhou Bangyan, in comparison of Zhou Bangyan the female singers Ci have deeper insights. The full text is divided into five chapters:Chapter 1 brief introduction of courtesans and the female singers Ci. Geisha is divided into four:courtesans, prostitute, city prostitutes, temple prostitution. Then it introduces the female singers Ci sung places, gradually leads to various definitions of the female singers Ci, finally summarized the antiphonal singing prostitute word definition, refers to the writing geisha or written for geisha words, mainly including gifts prostitute, prostitutes, Yongji.Described in the second chapter, Zhou Bangyan in female singers Ci, creative process and creative atmosphere. This part mainly introduces the Zhou Bangyan the female singers Ci, Zhou Bangyan geisha pomes in a total of more than 80, and Ethernet school period of stage, respectively analyzes Zhou Bangyan imperial period and Imperial College in the late of the female singers Ci creation transformation. In depth study of the social atmosphere of his creation of the female singers Ci from the social perspective, contact to Song Dynasty political, economic and cultural aspects, expounds the female singers Ci creation of internal and external causes.Chapter three and chapter four is the creative characteristics of the female singers Ci. From Zhou Bangyan in female singers Ci image, allusion, choice of theme, structure and writing and in comparison with other poets of the Song Dynasty female singers Ci creation analysis, such as analysis of the image of wind, the image of wine, wind and other combinations of imagery and other, the analysis of the preference of Zhou Bangyan allusions, which like the use of Tang Dynasty and the previous poetry. Zhou Ci elegance and Liu CI custom comparison, showing the historical status and influence of Zhou Ci.The fifth chapter Zhou Bangyan geisha pomes in the historical status and value theory. Academic circles has always been affirmed Zhou Bangyan’s position and role in the history of Song ci writing. That he played a role in the past. And most people will use a "master" these three seemingly concise but highly almost includes words of the past were summarized. In the history of literature actually have many writers can be described as a master, but Zhou Bangyan "master", but not as the surface meaning said just simple set, Zhou Bangyan master into is the results of previous works to be developed and improved the word for becoming rich and full.