| Hubei female writer Fang Fang entered the literary world in the 1980 s. Thereafter the creation is drywall. It formed two literary creation stages. Beginning of period(1982-1985) of creation, Novel structure is relatively simple. Spaces in the novel, only assume the function of the story takes place; Transition period and maturity(1986-present) creation, Give full play to the function of narrative space in the novel. Not only in narrative tradition was broken on the mode of time series and causal relationship, also directly involved in the narrative fiction. It becomes an indispensable part of the novel. Space in her novels creation has played a more and more important role.This paper mainly divided into three chapters of the introduction, three chapters and conclusion.In the introduction mainly discusses the status of the academic study of the other side of the narrative aspects, Thereby found gaps in the Summary of the study and make clear research on spatial has a big value. In addition, it also made clear in the paper "space" and other related concepts. Space is the unity of the physical dimension and social dimension. Space narrative is the use of space to represent time, promote the narrative.The first chapter studies the various forms of expression of spatial narrative in the novel. It mainly forms the macroscopic and microscopic spaces. The choice of macro space is integrated into the writer’s life experience and daily memory and is a writer a choice of aesthetic experience and expression; Microcosmic space mainly consists of "house" and "square" two big aspects. Specifically, they were divided into Henan shed, in points, the gap of living space and the "threshold", "Road" and other aspects. These spaces in the novel are not just places or events background. As a narrative force is involved in the construction of narrative, plot arrangement, change the fate of the characters, etc. It is one kind of character to appear in the novel.The second chapter studies the square space in the novel narrative art skills. It including an empty space such as lens type, type performance skills; the narrator point of view, sectional space transformation techniques; type orange segment structure, chain structure, forms a ring structure, and other spatial structure inter-sexuality narrative structure. By using these artistic skills, can break the traditional linear narrative pattern of the novel It Forms space effect, shows the spatial diversification of narrative form. It also uses the transformation of the space process of the novel’s narrative. And In the whole structure is formed on a variety of the type of spatial narrative structure.The third chapter studies the various novel space narrative aesthetic values. Narrative of space factors, has a certain influence on timeliness factor, or played down the timeliness, or deviated from the control of time. It becomes a kind of special narrative of driving force. Scene construction of content and form of the space, not only affects the flow of the novel is different from traditional problem; also make the space dimension of the critical factor for the express purpose. And for space in the novel the interpretation and construction is also depends on the role of the reader, It needs scattered from the unit to obtain the overall awareness and acceptance, forms two-way interactive of aesthetic.Conclusion is summarized all the prominent characteristics of spatial narrative and characteristics in the novel. It is increasingly become her consciously use a creative way.From the perspective of spatial narrative study all of the novel can show all different aspects of the novel and enrich the study of various novel and find the uniqueness of his novel creation; from the development point of view of literary history at the same time, It can clear all the spatial tendency in the novel to a certain extent, shows the spatial tendency of literature. So the overall study of the entire space of the literature tends to have certain significance. |
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