Immanent Narrator And Onlooker

Gao Xingjian as a multi-artist, whose creative dramatic works, had affected the development of Chinese theatre throughout the 1980s. Its theatrical creation evolved from earlier attempts to practice, the medium-term due to "escape", while the Chinese traditional culture and art created deep concern and learn, and then to try to learn from modern Western literature. Finally, his writing through the external dimension transform to the inner spiritual. His works reflect the change from "Personal Change" practice, philosophical speculation to the course. Also in this process, whose works reflect the "Cold theatre" creative concept proposed by Gao Xingjian himself, and "Tripartition of performance" theory. By combing Gao Xingjian all 20 dramatic works, narrative learning methods as a means of theatrical works by Gao Xingjian find commonalities, find their " Cold theatre " and "Tripartition of performance " Theory and aesthetic principles reflect the core text.Thesis consists of three chapters, the first chapter, Gao Xingjian dramatic creation summary of researches and theses. Gao was the creation of the theater stage, in accordance with its creative phases literature review of existing research dramatic works of Gao Xingjian distinguish and classify and organize, and set forth herein in which the significance of existing research results. The second chapter, Gao Xingjian in a dramatic narrator. The method described by science, all of Gao Xingjian dramatic sort, and summarize his works contained narrator characteristic type. And analyze their differences with other narrative drama dramatic or narrative work. And summarize its significance in Gao’s collection. The third chapter, Gao Xingjian in a dramatic bystander. Gao Xingjian’s works reflect the drama of "silent onlooker" to sort analysis to explore whether it exists in all theatrical works of Gao Xingjian, and summarized its characteristics, and summarize its significance in Gao and aesthetic of dramatic creation.