In 2014, drunk dancing is Pipa and Guzheng duet created by composer Chen Danbu entrusted by Beijing Dance Academy. The composition is dancing music at first, and then after adaption from the original work becomes the final version of instrumental ensemble. The completion of composition needs not only exquisite performance technique of all voice parts, but also the tacit cooperation among all voice parts. In the contact with composition, many valuable questions arouse writer’s desire to study the composition further. The writer strives to sublimate perceptual knowledge accumulated in the play to conceptual knowledge.The author will study creation, performance technique, voice coordination of composition on the view point of Pipa. Through scientific and elaborated discussion, the author expects to provide valuable theoretical data for philharmonic’s knowledge and comprehension of contemporary national chamber music. |