Similarities And Differences And Penetration

The Impressionist landscape painting in the history of Western painting a unique, has epoch-making significance. Chinese painting landscape painting after thousands of years of evolution, the development of the Qing Dynasty almost decline. The reason, conservative a stylized, ignored observation of the nature of life experience, the traditional roots of weakness through the end. Internal and external situation, the old rigid conservative ideology, art lose vitality, exhausted crusts, stagnant, open innovation thinking is impossible, Impressionism into and adapt to China’s own historical background and at the time of the cultural environment.Topics of freehand brushwork in traditional Chinese landscape paintings and Impressionist landscape painting performance is relying on the natural scenery, as two different painting systems, although have substaintial distinction, but there are also many similarities. From the perspective of artistic creation, Impressionism is far-reaching influence on modern painting art China.The impressionist painting of the king to Chinese later literati painting deficiencies made manifest. Pay more attention to the impression of the impressionist painting capture. The theory of Chinese painting is stressed the perception of nature, so at this point agree without prior without previous consultation. Nature study, listen to your inner voice, in-depth observation of life bit by bit, life brings to the people moved is the lively feeling, read draw through the screen to resonate with the artist, can see the painter, read the scene painter moved. To face life, it is time to bring hardship in the China impressionism painting the bright dawn of A. Impressionistic landscape painting and freehand brushwork in traditional Chinese landscape painting in the idea of painting has many places rather similar, this paper from the artistic conception, freehand brushwork in traditional Chinese painting, pen writing, emotional expression, the spiritual character of the reflected and consciousness multiple perspective, comparing the similarities and differences between the impressionist landscapes and modern freehand brushwork in traditional Chinese landscape painting, we can see the possibility of Chinese artists blend of Chinese and western, inheritance and innovation on the road to contain. And on this basis to Huang Binhong, Lin Fengmian, Li Keran, Liu Haisu artists, for example, and further demonstrates the impressionist landscapes and modern freehand brushwork in traditional Chinese landscape painting of the similarities and differences and the impact.