On The Artistic Style And Historical Value Of "Harold In Italy"

Berlioz, 19 th century France has the most representative of the romantic composer, conductor and music critic, but also in the history of western music the most controversial musicians. The life and music of Berlioz, existing full and accurate data, he himself also left numerous articles on the "memoir", letters, literature and criticism works, for later analysis. On this basis, the author collate the relevant information and literature, the music, as the main research object.This paper will be divided into five chapters, there are introduction, after the conclusion. The first chapter mainly introduces the life of Berlioz history and social environment of the creation influence. The author will be divided into three aspects:(1) The biography of Berlioz.(2) The influence of social historical and cultural environment on its creation.(3)On the Berlioz "mixed" evaluation. The second chapter embarks from the music ontology, to "Harold in Italy" the creation background and music analysis. To the music of the four movements analysis as the foundation, from the analysis of the general form of the layout, theme music and orchestration to parse the symphony. The third movement is the analysis of"Harold in Italy". It is divided into three parts:(1) the concrete manifestation of "fixed music thinking" in the four movement.(2) The musical elements of "fixed music" in each movement.(3) The meaning of "fixed music thinking" in the works.Fourth movement analysis of "tragic" elements in the "Harold in Italy" in the present. It is divided into three parts:(1)to explain the "tragedy" and "tragedy"".(2) In the movement of the "tragic" elements of the presentation of the specific.(3) Analysis of the formation and thinking of "tragic". Thefifth chapter is about the romantic period, the romanticism of Berlioz creation influence, that is, in the Harold in Italy"creation manifests. It is divided into three parts:(1) the title of romanticism and the embodiment of literary creation in "Harold in Italy".(2) The embodiment of poetic music" in"Harold" in the creation in Italy.(3) The embodiment of naturalism in the creation of Harold in Italy.The writing of this thesis, the author by Berlioz’s symphonic works "Harold in Italy," the study, Berlioz to a more comprehensive and objective analysis and the 19 th century European romanticism music and sister art combined the characteristics for the wealthiest of opinion on this.