The War Narrative In Full-Length Colloquial Novel Of Ming Dynasty

The paper studies the war narrative in colloquial novel of Ming Dynasty, exemplified by The Romance of the Three Kingdoms、The Water Margin and Feng Shen Yan Yi. It investigate the relationship about descriptions of warfare with the ancient military culture and the mysterious culture and analyze the literary features and art skill of war narrative.Thesis mainly divided into three parts:The first part: three distinctive war writing modes. The romance of The Three Kingdoms is good at scan war from various aspects and the Summed up of the experiences and lessons of war. Besides, it also shows the preference of "wisdom" in war narrative. The Water Margin shows the warlike course of greenwood heroes and pay attention to describe the fighting plot to finish the shaping of hero images. Feng Shen Yan Yi tells the war about gods and demons which happened in man’s world. It pay attention to describe the "Fa Bao" and "Zheng Fa".The second part: the relationship of war narrative with the ancient military culture and the mysterious culture. The three novels were influenced by the ancient military culture and the mysterious culture from come out as a book to spread. Traditional military thought and military intelligence provide guidance to novel at moral values、strategy、 war、Jiang Shuai Lun. Etc. It also has produced three films in the narrative of these concepts under the influence of the war has some in common and similar points. The mysterious culture made the war narrative of novel have the magic color and increase the charm of the novel.The third part: The war in the three novels was artistic war and highlight the personality of the characters. It make the war narrative more specific and vivid. The Romance of the Three Kingdoms and The Water Margin also pay attention to the artistic process for war narrative and focus on the change of the characters and the narrative skills,which make the war of the novel have more artistic charm.