| Yuan Dynasty landscape painting occupies a very important position in the China landscape painting history, is a landscape painting on the peak of Chinese. Different from before the Yuan Dynasty landscape painting, the dramatic changes in the Yuan Dynasty social environment lead to changes of the aesthetic taste of literati, in such a special time background, Yuan Dynasty landscape painting focus on through the unique painting language to express their emotion, and to create an artistic conception. Therefore, the ink language in Yuan Dynasty also appeared a big turning point, highlight the text, whether it is a simple brushwork or spirit of painting, are on the generation of a breakthrough. From another point of view, Chinese landscape painting development to the present has shown a trend of diversified development, from Huang Binhong, Li Keran, to today’s Lu Yushun, Chen Ping et al. The theory of artistic conception of landscape painting of traditional ink and wash painting inherited a lot. Therefore, the academic circles is necessary to the Yuan Dynasty landscape painting this special period of artistic conception theory in-depth study, through the study of the Yuan Dynasty landscape painting pen and ink characteristics and ink to create a mood, find out the Yuan Dynasty landscape painting artistic conception in view of contemporary ink and wash painting, which not only in theory enrich the research in related fields, can also from the practice of guiding the development of contemporary Chinese landscape painting.This paper argues that the "Yuan Dynasty landscape painting artistic conception" concept has produced important influence on the contemporary ink painting, and mainly from the composition, ink, state formation and other aspects of the impact of contemporary ink painting. So, research emphases and difficulty of this paper is "the Yuan Dynasty landscape painting artistic conception in contemporary ink painting. Specifically, first of all, the introduction introduced this topic research significance and academic value, analysis of the domestic and foreign research present situation, research methods and research purposes as well as the research mentality and the structure of the; the second chapter analyzed the theory of artistic conception of landscape painting; the third chapter describes the concept of "artistic conception" Yuan Daishan water painting; chapter four expounds the Yuan Dynasty landscape painting "artistic conception" concept in the contemporary ink and wash painting; the fifth chapter to the Yuan Dynasty landscape painting "the ideal condition" view of influencing the contemporary ink and wash painting thinking. The last is the conclusion of the whole paper. |
