The Poetry Feelings In The Chinese Paintings-the Research Of "the Chinese Painting Of Nine Songs"

In the history of Chinese literature, poetry is a form of ex pression of literature has been inhe rited, the Songs of Chu have traced in the development history of poetry before two thousand years ago. In Chinese painting history, according to Q uyuan "nine songs" and creation of painting has a lot of, including Ming Chen hongshou paint ed "" nine songs ", the yuan dynasty paintings by zhao mengfu " " nine songs", xu beihong in modern times in 1943 of "my alter ego" and so on are known. Content in the literature as the basi s for creation of painting is a common situation in Chinese art history, based on the spread of nine songs and lineage, is typical of the co mbination of painting and poem s, the thesis mainly revolves around "" ni ne songs " through t he ages, the poetry of Chinese paintings are discussed. The paper is divided into six parts, the first part is introduction; The sec ond part expounds the value of the nine songs; The third part from the relati onship between words and images of " nine songs; The fourth part is "n ine songs t hrough the ages of three different expression type is expounde d; The fifth part is " nine songs romantic feelings; The sixth part expounds Chinese paintings the poetry feelings in this theoretical conclusion of artistic practice.Through the collection of related da ta, comb, integration, with the "nine songs" and "nine songs" classificat ion of relevant materials. On the analysis of "nine songs" and "nin e songs", the relationshi p between digital image and text on the basis of the relationship bet ween. On the analysis of the "nine songs" are divided into three kinds of circumstances, one is the text directly into i mage performance; Secondly, subjective expression of artist creation ontology is given priority to; The third is a poet when he is true emotion performance.Paper concludes argument " nine s ongs" is the product of Chinese paintings and poems, for art creators, in the creative practice, on the one hand, should actively learn the traditional culture of nutrients; On the other hand on the artistic form of e xpression to convey his voice, speak for themselves, to express their feelings, so work have enrich the content and form of appeal.