Three Creation Modes And Their Gain And Loss Of Liu Qingbang’s Fictions

Liu qingbang’s Fictions from the first issued in 1978, it has been more than 37 years. Once he is still at the age of dedicated ceaseless, repeated. His long-term stationed in realism belles-lettres position at the frontier, abide by their high "heart content" "with characters". All say fictions novels there are only two, one is plain rural, the other is a kind of underground mine. But he prefers to describe novel coal mine as deep in the life of the novel, is not only a deep underground, but also in the depths of the soul. The spiritual dimension is vertical, fictions officially adopted a way of mine, to human, human nature and human psyche tunneling. He writes not just plain rural and underground coal mine, but a life of surface and deep, is a farmer surface and deep spiritual world. With the continuous development of market economy, the deepening of reform and opening up, everything in the melt into the money system, gradually decline, farming civilization in rural people fleeing, they fled to coal mining, city and the distance. As fictions writing style, subject matter and the characters of stable gradually, his works formed three main creative mode. These three models include: the plot mode of "escape" mode, and opposition of the character set, the structure model of the "happy" ending. These three models support the fictions of the art world, it contains his unique cultural appeal. Comb fictions writing mode of the novel, help us to further know fictions unique creative vision and positive current meaning.This article mainly discusses fictions writing patterns and its cultural function of the novel. The full text is divided into introduction, text and epilogue three parts. The introduction introduces research status of the fictions creation, text analysis for the concept of "creative mode". On the basis of summarized in this paper, the definition of "creative pattern". Body of Liu Qingbang’s novels creation mode as the framework, discusses the cultural function of three models in the fictions creation. The text is divided into three chapters. The first chapter, the behavior mode of "escape" mode. Combination of fictions novel text, this paper analyzes the fictions mode of escape, escape from pattern, escape mode of reflection, and escape mode of cultural appeal.The second chapter, character set of the positive and negative opposite mode. This chapter analyzes the characters of the novel set pattern: character and performance of opposing set pattern; Positive and negative opposite character set pattern culture demands. The third chapter, the plot mode of the tragic end. The tragic fictions is a big plot characteristics, are analyzed in detail in this chapter the tragic performance and its cultural appeal. The fourth chapter, the modes of fictions creation. His novel creation there are the same, too much emphasis on "direct experience and the documentary," the creation of character simplification limitations.