The Story In The Painting, Silk Screen Engraving Narrative Research Performance

Late 19 th century the world has undergone enormous changes since the industrial revolution and the rapid development of science and technology, literature, philosophy, art, etc., have taken place in western important changes, new phenomena and new cultural and artistic Philosophical Thinking of the traditional culture, philosophy, art, etc. suffered a serious challenge for the world appear modernism opened a new page. Continues "Vasari narrative" of classicism and realism suffered severe shock in art linear narrative expression was abandoned. Ushered in the "Greenberg narrative" formalist art of the era, the main emphasis in artistic creation and art forms to explore the subjective sexy performance against the West even deny the traditional art, anti-linear narrative became the mainstream. After the 1960 s, the rapid rise of modernism, art is beginning to show a diversification of development, while the concept of narrative in the field of artistic creation is constantly expanding, artistic development has entered a new era of pluralistic coexistence. Prints as an important component of the art of painting, the art world is also associated with the pace of development, and presents a wide range of features to one. Serigraphs born out of modern screen printing early 20 th century, with the development of printing technology are closely linked. In the 1960 s, serigraphs gradually real separation with the rise of Pop Art in the United States from a screen-printed copy of the commercial product attributes, and become an independent art form prints and graphic art into the community in. Through many artists continue to explore the use of screen printing techniques to try in this new form of printmaking, and constantly promote the development of silkscreen prints, enriching Serigraphs creation.The current image is an art era of rampant, especially Serigraphs Creation narrative crisis, on the one hand from our sense of history, a sense of contradiction between survival and traditional narrative manner produced, on the other hand, come from different forms incompatible between narrative. I am from the cultural and sociological by both the angle, to focus on differences between contemporary serigraphs art values and the traditional art of narrative way place. From the knowledge about the narrative, the narrative was a simple exposition learned from the development process as well as narrative and narrative painting contact. Prints as a category of painting, prints from the beginning with its own development on the narrative. Serigraphs as a new form of artistic expression, from a historical perspective of their own development silkscreen prints, serigraphs and narrative level performance analysis This article focuses on the creation of Canadian painter Colville these aspects of serigraphs creation narrative and example were analyzed and discussed. Understanding Serigraphs new narrative mode when making art.