The Theory Of The Forms And The Causes Of Traditional Classical Promising

The language of Chinese painting is one of the most important elements in the recognition and evaluation system of Chinese painting. It is the carrier of aesthetic taste and aesthetic thought in Chinese traditional painting.Ink in China in the early paintings to coating method in the form of existence, the Five Dynasties ink was promoted to the theoretical level, Ink accumulation method, Porno-ink method and Splash-ink method typical of ink in the song and Yuan Dynasties were discussed. Yuan appeared a rich variety of texturing method; technique tends to be complete, pen and ink language technique to solve the basic problems. Therefore, the painter consciously began to study ink, although in song and Yuan Dynasties of ink has carried on the preliminary exploration, but the morphology has been hidden behind strokes. The MIS "Yunshan, is an attempt to break the shackles of ink strokes with different forms such as the. Conducts the research to the ink trend in modern Chinese painting, Huang Binhong, Li Keran and Zhang Daqian et al of ink were in-depth exploration.The relationship between ink form and aesthetic image, teacher-student relationship and personal accomplishment. Through analysis and interpretation of history painting and works, explain product Ink accumulation method, Porno-ink method and Splash-ink method of the classic method of typical morphological analysis.