| Chinese painting with Western painting history, is still in the development stage, so that it is because of China’s regional characteristics and cultural history, and economic status influences the development of Chinese oil painting. In ancient China with the reform and opening up, the continuous influx of western culture, oil painting the foreign art began to be advocated. Up to now Chinese oil market has experienced decades of development, we should reflect and try, in Chinese ancient civilization history painting the western art to benign development then. "I think the new figurative painting" gives us a very good answer, "the new figurative painting" has broken the traditional realistic figurative art, focusing on the artist’s subjective consciousness exists, as Chen Danqing said, 80 years ago China art is in reference to Russian art, and this kind of art is not to be the mainstream Western art that, then what is it Chinese painting began to let the world know? It should be from the 85 art exhibition of works to sort at the time the painters painting theme, mostly to people’s social status, the spiritual life as a theme show his personal values and outlook on life, often the new era requires that personal thoughts and unique artistic expression means, so at the time of China "85 ideas" set off a new wave of Chinese oil painting, however, is the formation of the artistic community in the era of the Chinese oil painting, and do not have a good grasp this opportunity, did not form a stable group, but more decentralized, until Liu Xiaodong, Xin Dongwang, Mao Yan, Chinese new figurative was able to continue to develop.During the postgraduate, I have also reflect on their own oil painting and study, which has some experience, hope to study in concrete and the method of the new figurative painting, to get yourself in the process of painting practice experience method. The formation of the whole thesis are in line with their love for painting, hope that through a large number of books and learning, and the artist’s lecture, to draw lessons from and study of new figurative language. The main content of this paper are as follows: firstly, from the Chinese new figurative painting development history of the combination of Chinese and Western literature, a variety of research and analysis, explore the new Chinese has representational language. Second from the analysis of the new figurative painting language, the use of color, modeling language, creative ideas and content and other aspects to research and analysis. The third part, combined with their own creative experience, talk about the new figurative art influence on my writing, summary and ideas of aesthetic personality and the trend of development of new figurative painting, but also on the Chinese new figurative painting the future development and prospects. |
