Han Stone Free

Han stone art is called a complete art form of qin and han dynasties, in late western han dynasty, the eastern han dynasty. Stone art in terms of mainland area, mostly concentrated in shanxi, henan, shandong, xuzhou, sichuan and other places, carrying the carrier of han stone art stone shrine, the sarcophagus Guo, introduced, such as stone que mortuary building and sacrificial vessel. Han stone in different regions due to differences in human geography environment and customs and habits lead to its form of expression and techniques of each are not identical, but han stone art as a kind of art form of the special times, its artistic features and no pulling differences. Overall, han stone art developed to decay is the process of the qin and han dynasties rise and fall of a dynasty. Han stone art creation principle and rule by the han stone art craftsmen to hand in the mouth to mouth, spread so far, to be able to eternity.In this paper, the author with "shape", "god", "freehand brushwork" as the basic theory support, widely recognized as the "spirit" in han dynasty, "view", "the concept of image" as the theoretical orientation of han stone character modelling art disconnection. In determining burial service for the dead, everything in the burial including han stone described "after the death of the world" is from "form" for the deceased "god" autonomic activities to create a paradise, to complete before you want to pursue the eternal life. Han dynasty society from top to bottom, from the ruler of the ruling class to be the ruling class of the ordinary people all think of huang Lao, the fairy’s technique can achieve the life pursuit of immortal eternal state, han dynasty society is full of eternal immortal atmosphere. But after the death of the person’s physical and body decayed dissipate all become true, and the time is a reminder of the horrors of death. Faced with the fact that the ancient Chinese philosophers proposed the separation of "shape" and "god" and "shape" fade "god" autonomous conscious activity provides spiritual consolation for the han people. Han dynasty tombs from tomb architecture, decoration to tombs buried with the dead to build "the world" after the death of the grave fresco are impressive, from the han dynasty society immortal wind and pursuit a great degree of eternal life, it can be seen that the han people of funeral architecture and stone to build the "god" of "after the death of the world" of the eternal trust degree, and han stone art of people desire the construction of "after the death of the world" shows the powerful vitality and expressive force. The strong vitality and expressive force comes from the modelling of han stone art. The author in this theoretical framework to join "image" the theoretical basis, combined with the "real world", "the edge", "divine" han stone art of han stone art characters of research, analysis of han stone art of han in the grave fresco art and through the "freehand brushwork in traditional Chinese painting".