Study On The Cinema Aesthetics Of Giuseppe Tornatore

The Italy neorealist film, what was initially originated after World War II, is one of the most important film genres in the history of the film around the word.In twentieth Century forty or fifty, under the influence of the Documentary Aesthetics of André Bazin, the directors of Italy advocated to photogray by “taking the movie camera to the streets”, and then the neorealist appeared. After a few years of development, the neorealist film had became the only one that could compete with Hollywood movie genre at that time. Its emergence and development, had promoted the diversified development of world film. As the upstar director of the Italy neorealist film, Giuseppe Tornatore is one of the most famous directors in Italy.Mentioning Tornatore, we can remember his “Hometown Trilogy”--<Cinema Paradiso>,< Leggenda del pianista sull’oceano, La>,< Malèna>, which made him famous in the movie industry, to be a great director in the world. In his film, he integrated into some different elements, on the bases of inheriting the fine tradition of the neorealist film. In his film, There are charactors of realistic, and other styles such as romanticism and suspenses.This paper will read the the aesthetic characteristics of the film of Tornatore,through the analysis of his film. Tornatore has inherited many charactors of the neorealist film. For example, as for the content, he has been paying attention to the real life of in Italy, to rethink the war and the humanity; As for the forms, he has been making more use of the full-length shot, nature light, and has been reappearing the the original life of Italy. Tornatore has rich experience about the film industry, so he can Think or write what happened around him as a professional. This experience had been giving him a lot of inspiration on creation, for example, the philosophy of the film, and the thinking about the life proposition such as“leaving”,”seeking”,”growing up”,”loneliness”, what could make him to carry forward the neorealist film. Tornatore paid more attention to the description his hometown with four pieces of films. It seems limited to do like this, but becomes his unique styles, and passes out many Italy ethnic characteristics at the same time, and gives us a lot of references about the the exhibition of nationalization in the domestic films.