| Literators’ painting concept in the Song Dynasty, to be formally established, with Su Shi as the representative of the literati painters to literators’ painting concept to the practice of painting, the direction of development in order to lead the painting. Analysis of works on figure paintings of Song Dynasty, the pursuit of lyric and owlish in style; in form with ink brushwork development view resolution color, light color, to create a line drawing and Pomo freehand figure painting style; in the function gradually become literati reposing emotional art form. This painting and literators’ painting concept seems to view has many similarities. In order to prove the portrait of Song Dynasty was influenced by the literators’ painting concept, this paper mainly based on a review of ancient literatures, using comparative analysis method, carries on the elaboration from the following several parts.In addition to overview before and after the two chapter and second chapter, the third chapter and the fourth chapter are the main sections of the article elaborates the argument. In the second chapter, mainly from two aspects to describe the literators’ painting concept influence on figure paintings of Song Dynasty by way of existence. The method mainly has the indirect influence of the external environment and the concept of a direct impact on the literators’ painting of the figure painting in Song dynasty. The indirect effect is composed of three parts: first, the establishment of the literati political status; second, the development trend of literati painting in Song Dynasty; third, embodied in Confucianism and Taoism, Zen thought Chinese people’s view on painting. In addition to external indirect effects, the relationship between the development of literators’ painting concept of the figure painting in Song Dynasty also has the direct influence of the. First, the Song Dynasty portrait painters and literati painters exchange is very deep, in the exchange process, influence their thoughts are all influenced by literati painters, in creation will naturally or half unconsciously into the literators’ painting concept. In second, China painting, teacher-student relationship is one of the most important ways during this propagation thought of painting, literators’ painting concept of communication also plays an important role in.The most important section is the fourth chapter, the painting style characteristic of literators’ painting concept under the influence of the concept of the figure painting in Song dynasty. This chapter mainly discusses two aspects of the theme and form of expression in painting. Among them, painting is divided into four aspects to discuss:Taoism, noble life, historical stories and custom theme. In the discussion of the performance way when, first discusses the types of pieces, the second is the painting language. The painting language in three aspects with the lines and shapes, text and color, set were described, including the key figures discussed the start line drawing style and development of Li Gonglin’s pale color meticulous figure painting, and create a splash ink figure painting and the development of freehand brushwork figure painting of Liang Kai. |
