From The Perspective Of Reception Aesthetics On Drama Creation Aesthetic Issues

Reception Aesthetics was born on 1960’s. Hans Robert Jauss, a professor on literature and art from Constance University is the first person who put forward this concept. The essence of this concept is that the aesthetic value depends on the audience’s acceptance level. This research method and aesthetic way breaks the tradition, the research method led by the author and works. It not only bring "audience" into art research, but also puts it into the theory and research starting pointes.This paper starts from creation process, combining with Aesthetics of Reception. The introduction discusses the appliance situation of acceptance level in drama. Chapter one focus on the author’ first creation. Chapter two researches the actor’s art behaviors during the performance. It makes a conclusion through the analysis of performance school and realization school. Chapter three deals with the acceptance ability of audience. Modern drama can not over-depend on the audience. It should remain elegant among the commercial tide. Chapter four and five find our the common problems among modern drama creation.This paper strives to through the acceptance of application of Principles of Aesthetics of Reception in plays, then makes a concrete analysis the methods and meanings on drama’s creations. In each specific creation stage, it makes drama creation is not only a pure practice, but also a travel about "aesthetics". In this paper, the audiences are not only receivers but also creators.