Formulation About A Fragmentary Ritual Dance Of Nanling Norridors To Society

Guoshan yao in Mangshan is one part of the yao nationality in nanling corridors, and the Huan pangwang yuan ritual is also one of the most important ceremonies of the yao nationality. The Huan pangwang yuan ritual is a ritual to memorial the pangwang.It can bing hope and eliminate disasters.Now there are three parts in the dance of the Huan pangwang yuan ritual such as dance qingwangbaishen,dance tongling and dance huagun.Some other parts of the Huan pangwang yuan ritual is lost.Although this is a "incomplete" dance,but it does not prevent it to describe the spirit world and the reality of society in the ritual of yao nationality.In this sense, it is not incomplete. This dance express the meaning of ritual itself.At the same time,it also communicates "Ghosts-gods world" and "Human world" to construct the spirit world and adjust the reality of society the yao nationality with dancers’ bodies.The traditional “huan pan wang yuan” ritual content of Yao generally consists of eight parts.They are respectively Qing wang、Dian nv、Gua hongluoduan、Ru liandong、Wei tangyouyuan、Zhao bing、Sing and Jie shenyi. Among them, Shigong dance is main body of the part of the ritual. At present, the content of Yao’s “huan pan wang yuan” ritual dance mainly retained three.They are Qing wang dance、Bells dance and Flower stick dance.Through the observation of the dance of the ritual, the body of shigong is always of "bow and scrape".Most of the form is forward and hypsokinesis. According to the Trinity principle in Del Sutter’s expression system, the play of individual emotions is not too much in the ritual dance. Contain in each time point pause pace in the quiver knee law reflects the Guoshan Yao knees of natural vibration of the original state of life.The related syndrome can also be found in the survival environment of the Guoshan Yao.The ritual is actually a complex symbol system, is the characterization of the Yao culture, but also reflects the Yao ceremonial structure. To fully understand the symbolic meaning of metaphor ritual is conducive to a better understanding of the structure and mode of their cultural consciousness. In addition, the ritual through dance and other specific cultural matters connected with the reality and the illusory social space, And ultimately through the operation of cultural symbols to achieve the final “reality” of the regulation and control of real social. From the perspective of regional social and ethnic relations, we can grasp the social relations network and social group practice something involved ritual dance; From a discrete perspective, we can better understand the social and cultural reasons for the ritual dance and so on. In short, the "other" and "self alienation" construction is the main reason for the formation of network culture of Yao nationality.Therefore, we can understand the cultural structure and social context even regional history better through the dance in ritual of “huan pan wang yuan” of guoshan yao who living in mangshan. And vice, people can understand the meaning in social and cultural of the ritual and ritual dance more deeply in the perspective of the ethnic culture and regional society.What’s more,we can know how the system run more clearly. The social and cultural space constructed by the “huan pan wang yuan” ritual dance is the core carrier of the whole ritual,The social and cultural network operation mechanism is also a comprehensive mapping of the entire geographical community. In a sense, This "incomplete" ritual dance is a powerful expression of social and historical space.