The Study About The Structure Of Wang Meng’s Novel

Wang Meng getting older, the keyword of "youth, passion, revolution, political" has become the unified critics of Wang Meng. But it is such unified critics reveals the uncertainty of the Chinese literary, at the same time,it also limits Wang Meng. Wang Meng, with multiple identities, writers, critics, politicians, stylist, etc., as a writer who can be given so many identities, it has his unique and complex. Each identity information should be an entrance to critic. and in recent years, the critics seem to present a "one-sided" trend, people focus on Wang Meng’s relationship with the outside world, and neglected to study the work itself, the study of the novel structure are much rarer, it presents a state of the rebellious with Wang Meng’s emphasis on the novel structure.This article attempts to find some "intentionally" action, at the same time, from the microcosmic point of view,to find the interpretation of the text structure and structure significance from the novel text. We will combine the choice of the structure with the author, age, literary environment, strive to find the thoughts and feelings that hide in the text structure.Wang Meng is an avid writer, his "mania" because he was not crazy about language, but also the variable structure. The article will use the vertical and horizontal research method, vertically,it is given priority to with time sequence,this paper will compare different periods of text structure, in horizontal research,it will combine text structure and the political. Therefore, the thesis is divided into three parts:The first part:looking for structure. In the 50s to 70s is the growth of Wang Meng. Singing the song of the communist era, "the young Bolshevik" Wang Meng actively undertake reform era, the historical responsibility of life. He met such a ShaoGong complex,the Soviet symphony inspired him in the structure of the works. Symphony of polyphonic structure open the door for him, 《long live youth》, 《organization department to a young man》 were produced in the function of political ideal of stimulation and polyphonic structure. But severe reality broke the passion of the intellectuals, the dream began to collapse, the reality does not tolerate literature have any critical voice in the era of the cultural revolution, and the other nightmare began. The principle of "three prominent" unify the whole literary, under such age atmosphere,the literature structure deconstruction. From 1965 to 1971, Wang Meng began the self-imposed exile in Xin Jiang. Everyone became silence,but Wang Meng created 《the scenery》 here. Although this book recently published, have already be modified by the authors, but it still with a profound cultural traces. Although this work is up for debate in the structure, but its historical significance is positive. This work constitutes the "middle" of Wang Meng, it also constitutes the "middle" of the contemporary Chinese literature. From 50s to 70s,structure for the novel still in an exploring stage, structure for the novel as load-bearing beams as important for a building, and the exploration of structure is only the beginning.The second part:introversion "structure". Literary world in the 80s showed an unprecedented state of instability, the old literature order has just been interrupted, and the new specification has not yet been established. The challenge of western culture, the traditional restoration, civil unrest be a challenge to the new period literature. The voice of the criticism to the cultural revolution formed a mainstream, people all blame to the trouble makers. Wang Meng’s voice is the most unique, he didn’t indulge in disapproval, but take a step more than others and began to reflect on the cultural revolution, judge the human nature. The traditional narrative structure does not apply to express emotions, various psychological structure of the narrative method instead of the polyphonic structure, the narrative method let Wang Meng’s novels attract the attention of people, but also bring more discussion. Wang Meng has broken away from the traditional narrative methods, ignore the plot. The psychological structure of the narrative method of disintegration of the traditional plot, characters, time and space, combining the stream of consciousness, feelings, psychology into the novel, widens the behavior field of the novel, destroyed a certain traditional narrative strategy, changed the face of contemporary Chinese literature. Arguably, it is the true meaning of Wang Meng.The third part:"structure". Since the 90s. the literary world is a precipitation period, the 90s has become a period that people to seek rebel political. The combination of literature and market economy makes literary environment break imprison, out of the literary circle, beginning to face market. "The loss of sensation effect",the literature can no longer return to the original important position. But the exploration of Wang Meng is not stagnant, he is a writer of drift. In the popular literature, network literature and popular literature environment, Wang Meng in a corner alone, adhere to the pure literature. For many years,the emotion and historical memory need a exit to erupt, simple psychological structure have been unable to hold the author’s heart, comprehensive multivariate structure provides a platform for Wang Meng, to let the author dialogue with readers, dialogue with age.