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Study On The Writing Techniques Of Prokofiev "Fourth Piano Concerto In B Flat Major"

Posted on:2016-01-04Degree:MasterType:Thesis
Country:ChinaCandidate:C M YangFull Text:PDF
GTID:2295330470476820Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
Sergei Sergeyevich Prokofiev (Sergei Sergeyevich Prokofiev, April 23,1891 March 5,1953), the famous Soviet musicians, one of the promoters of modern music of the twentieth Century. In his life has a lot of music, concerto is an important part of all creation styles. In mis concerto, five pieces of Piano Concerto occupies a very important position. "The Fourth Piano Concerto in B flat major" written in 1931, is one of the main representatives Prokofiev mid creation, many of them applied with personalized creation technique, fully reflects the composer’s unique music style.This paper is divided into four parts:the first part mainly introduces Prokofiev’s life and writing experience, and briefly introduces the "B flat Fourth Piano Concerto" creative background; the second part is the focus of the article, mainly through analysis of musical structure, harmony, polyphony, motives of orchestration and other aspects of the music ontology, to understand the specific content of works; third part is "the B flat Fourth Piano Concerto with the composer" different Concerto do comparative analysis, so as to better understand the composer for Si Lu Concerto; the fourth part is the conclusion.This paper takes the traditional and modern two aspects as the core point, trying to find a balance between the two composers for detailed grasp of, is to break the traditional on the basis of the traditional, embody the traditional techniques and Modern Acoustics in the.
Keywords/Search Tags:Prokofiev, Piano Concerto, The technique of creation, The tradtional, Modern, Inheritance, Breach
PDF Full Text Request
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