How To Use Emotional Full Sound Shaping Stage Characters In Verdi’s Opera "jester" Jill Tower Firm In Study

Zhu Saipei Verdi(Giuseppe Verdi, 1813-1901 Italy opera master. He said that creation of the opera "Rigoletto" for the world of opera has added a beautiful rainbow. First of all,Verdi to create the Verismo opera for the purpose, predecessors in t h e c r e a t i o n o f o p e r a m u s i c e l e m e n t s, n u t r i t i o n, r o o t e d i n t h e I t a l y t r a d i t i o n a l o p e r a m e l o d y i s e x q u i s i t e, i n n o v a t i v e u s e o f t h e i m a g e o f w o m e n i n s h a p i n g t h e c o l o r a t u r a s i n g i n g s w e e t g i r l i n B e l canto oper a dra ma, e nhance me nt, plot, c haracters l e v e l more full, Verdi plays the dramatist’s role. Thedramatic and beautiful melody innovative reach the perfect combination. Secondly, the typical and classical stage character in Verdi’s opera the most important element due tostringent requirements of sound.This paper mainly through the emotional full sound to complete her characters analysis of dramatic tragedy of life. The three key periods of Gilda dramatic life, shaping the stage characters of Gilda was discussed from the angle of sound. Finally, the innovation of Verdi’s opera is another important breakthrough is still a form of artistic expression. Four "you" duet art since called Verdi met that day peak. To portray feelings change, promote the drama, opera tragic curse add subject- Gilda to die for love. The expression of the author encountered in the process through their own concert rehearsal in learning difficulties, make analysis, hope on the stage characters like Gilda opera in a resonance, at the same time to study the literature reference help.