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The Representations Of Ethnic Minority In Chinese Painting 1980s-1990s

Posted on:2016-10-13Degree:MasterType:Thesis
Country:ChinaCandidate:J HuangFull Text:PDF
GTID:2295330470462210Subject:Fine Arts
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This article mainly have the main research object based on Zhou Sicong ’Yi Female series of figure painting in the late. She played an important role in the new China in women painting history. She win the title of again and again, but she still creat other painting forms instead. This article through to use Yi female to reposition Zhou Sicong art.After combed its Yi Female series i got an new ideas.Through the new period, she found a place to express her new identity. Exactly Zhou Sicong look forward on another kind of life self expectation and her painting creation.This article is divided into three parts in the structure. The first part:introduction (introduction). Ask questions. By becoming popular Zhou Sicong works in the art market to introduce the main idea, combined with domestic and foreign research present situation analysis shows that its research meaning. The second part:(body) Zhou Sicong painting style of drama. At the beginning of this section combines Zhou Sicong life background, points three times to analysis of Zhou Sicong art stage differences with other people during and after her comparative. And focus on late Zhou Sicong tends to Dan forms of berth in the painting. The third part:analysis of the new China ethnic image in Chinese painting. Zhou Sicong ’Yi ethnic minorities Female the subject of painting is not the original. In the period of the artists through nationality subject is how to work earlier than Zhou Sicong or with Zhou Sicong? By comparing the picture display list in the new period widespread portray image of ethnic minorities. The fourth part:from the big social context and Zhou Sicong personal painting language in the later work for further discussion. Through Zhou Sicong ’Yi ethnic minorities Female performance, she found a real self which is the hope of its spirit.
Keywords/Search Tags:Zhou Sicong, Yi ethnic minorities, Chinese painting, the new period, minority’s image in the traditional Chinese
PDF Full Text Request
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