A Study Of Paper-cut Art Aesthetic Features In The Qing Dynasty Which Based On The Paper-cut Works From The History Of Chinese Folk Paper-cutting

Based on the preference of folk paper-cut art, realizing that the predicament of the folk artin today’s industrialization degree is more and more deeply, paper-cut’s living space is compressed.So if you the effective measurescan not be taken,paper-cutwill be dying. In contact with the folk paper-cut artist and reading some related literature, I choose "history of Chinese folk paper-cut" writed by Wang Bomin as the main reference object, and the "ancient existing paper-cut works" will be the key to explore the aesthetic features of paper-cut art in qing dynasty. The main content of this paper is discussed from two aspects, first, emerge the aesthetic value and cultural characteristics of paper-cut in the qing dynasty as a whole, and focus on the paper-cut of the north-south divide in the qing dynasty,it is aimed at prominenting the qing dynasty paper-cut’s artistic charm from the comparison. Papers in the last part of the problem to the qing dynasty paper-cut way out in the twenty-first century, it is not only the starting point of the article,is the end-result of the article, one of the purpose of academic research is in order to guarantee the continuation of the folk art theory support.This article attempts to show the aesthetic value of paper-cut art in qing dynasty,cause the attention and consideration from the modern people for the traditional folk art, trying to promote the continuation and developmentof folk art by creating a better social environment and artistic atmosphere...