Analysis Of Yanan Women Image In Literature

This paper mainly studies from 1937 to 1949 in Jiefang District as the center of literature in Yanan, in the political environment under the influence of the unique literary landscape. In the literature of Yanan in the shape of the image of women of different, these female images under the influence of political discourse formation. This article will mainly explore the dialectical relationship between women’s political discourse and literature in shaping the image of the Yanan.The thesis is divided into six chapters, the first chapter is the introduction, first introduced the research content and research methods of this paper; secondly, introduces the research status and significance of the research; finally introduced the research characteristics and the structure of the thesis.The second chapter mainly elaborates the Yanan literature and the female images in historical and cultural context. The first time China is at the critical moment of national peril, starting with vigour and vitality of the Anti Japanese War, at the same time because different regions have different political rule, so the formation of different literary field. Secondly, because of politics in Yanan, attracting a large number of writers who went to Yanan, resulting in complexity of Yanan writers, until Mao Zedong’s "in the Yanan speech" established the dominant position of Yanan literature. In this process, the characteristics of strengthening and weakening the political consciousness of gender have emerged.The third chapter will be in accordance with the system of discipline and the rebels of Yanan female image series classification. One is by the feudal system has the poor image of women; the other is shaping the image of the female gender is sacrificed at the expense of the discipline system of image; there is also a type of female image is the conflict with intellectuals as the representative of the rebel images.The fourth chapter discusses the construction of Yanan next to the female image of the history of literature. Yanan literature female image showing the characteristics of the typical model, under the guidance of the mainstream discourse, which is the change in the "speech". The generalization of the characteristics shown in the image of women, including the gradual assimilation templated outer mold and identity and the plane in the female on the performance of the. Secondly, in the "speech", female consciousness will collapse, showed "of" exit and the disappearance of the female care and critical consciousness. Finally, by shaping the drama "the white haired girl" in my image of the effect of collective creation of literary interpretation of literature in Yanan.The fifth chapter is mainly on the historical experience of Yanan female literary images are summarized. It includes two sides. In the process of Yanan literature creation of female images, reflected a kind of dependence of women’s Liberation of the liberation of the people, the liberation of women was attached to the liberation of the people, in order to achieve their liberation purpose. But this liberation is not complete, but in the absence of feminine discourse right cost. At the same time, the five four traditional literary criticism and literary creation in Yanan later suppressed. But for Yanan literature female image shaping is dialectical, to put the complex historical environment to consider, not simply from the political perspective, so as not to be unfair.The last part is the conclusion, which briefly summarizes the overall grasp of Yanan literature, the female image creation of historical context, female image series and change and introspection. The last part of Yanan literature on the literature of later generations explained, reflects the great influence of Yanan literature creation of modern literature.